“How are you?” she added, holding out her hand. “You’ve grown quite good-looking. I like your moustache.” And he flushed again with pleasure. “Why did the apple fall?” answered Flossie. “Why, when it escapes from its bonds, doesn’t it soar upward? If it wasn’t for the irritating law of gravity, we could skip about on the brink of precipices without danger. Things being what they are, sensible people keep as far away from the edge as possible.”!

“There’s a chemist’s shop in the next street. We’d better take him there,” suggested the one who had first spoken to her. And she thanked them and followed them. He sat her down by the fire and went into the next room. He had a letter in his hand when he returned. Joan noticed that the envelope was written upon across the corner, but she was not near enough to distinguish the handwriting. He placed it on the mantelpiece and sat down opposite her.

Joan stopped. “Why, it’s the house you are always talking about,” she said. “Are you thinking of taking it?” “Oh, he’s quite a nice lad,” she answered. Returning to the interior, Joan had duly admired the Cheyne monument, but had been unable to disguise her amusement before the tomb of Mrs. Colvile, whom the sculptor had represented as a somewhat impatient lady, refusing to await the day of resurrection, but pushing through her coffin and starting for Heaven in her grave-clothes. Pausing in front of the Dacre monument, Joan wondered if the actor of that name, who had committed suicide in Australia, and whose London address she remembered had been Dacre House just round the corner, was descended from the family; thinking that, if so, it would give an up-to-date touch to the article. She had fully decided now to write it. But Mary Stopperton could not inform her. They had ended up in the chapel of Sir Thomas More. He, too, had “given up things,” including his head. Though Mary Stopperton, siding with Father Morris, was convinced he had now got it back, and that with the remainder of his bones it rested in the tomb before them.